by
Tom Lambert
(Deceased) |
First published by the Blue Band magazine |
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At Newmacher, as the hospital was called, George was considered to be irreparably damaged and that he would be institutionalised for the rest of his life. His wife, a doughty Swiss lady, thought otherwise, though she was horrified when first seeing him, by the condition he was in. His muscles had collapsed, he was a shapeless mess, and, though barely coherent, told his wife that she should not come again to see him as he could not bear it for her to see him as he was. After weeks of arguing with the authorities she was allowed to take him from the hospital, and return south where she set about restoring the balance of his body and mind to normality. After the war they spent a long time in Switzerland and a very therapeutic period in the South of England where they established a good business as a specialised Market Garden. It was a very long time before the noises in George's head dissipated sufficiently for him to begin composing again. That he did, and to such good effect, is illustrated by the 12 Symphonies 3 operas, 2 piano concertos and two violin concertos as well as a wide variety of music for military and brass band, piano music and song. He received a commission from the Festival of Britain authority for those celebrations. Other composers to receive similar commissions were Vaughan Williams and Benjamin Britten, both of whose operas have entered the repertoire. George’s work suffered greatly at the hands of the opera company chosen to perform it which was in a great deal of strife with leading singers, and generally in its administration and so never made anything like the impact of the others. At this time, George was not in good health and was unable to give it the attention that may have saved it. Both his piano concertos were given performances by two outstanding pianists, John Ogdon and Kathryn Stott; the violin concertos also have been given performances by internationally renowned players. At least one of the symphonies (the 6th,in 1981) has been performed at the Henry Wood Promenade concerts receiving rapturous applause. George
was a conductor of great flair and was really appreciated by the orchestras
that appointed him. Maybe some of you will be lucky enough over the
years to play in the Hong Kong Symphony, an internationally renowned
orchestra for which George wrote special music and with whom George
was a regular Guest Conductor. He also conducted regularly, the Albany
Orchestra of New York, a first rate professional orchestra and one
that has recorded much of George’s repertoire. All of his work
is available on disc and the sheet music is available on hire from
the email address provided at the end of this article.
|
Richard
Valentine -1996
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